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The disgusted artist got up and with a huge hand wiped his handkerchief across his perspiring brow. He was short and very thick set, with prominent forehead, bulging black eyes, coarse nose, thick red lips.,

In his overcoat Mr. Zalhambra seemed to fill the doorway as Mrs. Newman greeted him. A moment’s private talk and the hostess understood the situation. From the drawing-room a ripple of childish laughter reached their ears.,

As the children left the school-house, Betty was met by Job. He appeared to be headed for a point at an angle of about forty-five degrees from his mistress, but it was only his corner-wise way of walking, caused by his defective eye. Notwithstanding his seemingly erratic course he reached Betty’s side and thrust his head into the pocket of her small pinafore. He found there what put him into high good humor. Gaily he strutted after his little mistress. Bringing up the rear came Moses shuffling along, accompanied by Jethro. He took from his pocket a huge bun.,

He threw himself on the bed and wept the bitterest tears he had ever shed in his life, tears of shame. There he lay—hours, he thought—determined to bear his pain and disgrace alone. Yet it was only minutes when he heard his mother in her room, coming!

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The child was gifted in this most elemental of the arts, and her histrionic ability carried along the interest of her listeners even when the printed matter on the back of the paper interfered with the clearness of the picture. Her imagination bolstered up the defects of dry facts.,

“Moses,” she directed, “git an empty apple-box fer the burnt orfferin’s.”,

Betty winced slightly as the chilly weapon touched her face, but recollecting the importance of the issue at stake she submitted tamely to be shorn. In a few moments Moses stepped back to contemplate the result of his drastic work. There was no denying that it had totally changed his little sister’s appearance. A queer expression on Moses’ face made Betty enquire anxiously, “What is it? Don’t I look orlright Moses?”,

“No, no, dear. Keep them, an’ I’ll put them in warter when we go to the house,” begged Betty. “The fairies are orful cross when they see dead flowers lyin’ round. Mebbe they might be too angry to come in the garding again ever.”